- How is the actor playing Gus costumed? What does this tell us that we should feel about Gus?
He is costumed in a way where people would think he is poor and doesn’t have much.
- How is the actor playing Flora costumed? What does this tell us that we should feel about Flora?
The actor playing Flora is costumed beautifully like a fairy. This tells us that we should see her as a calm lady. She reminds me of a flower
- How is lighting used to make Gus seem menacing?
Pretty frightening and has a dark contrast. This tells us that we should have negative feelings towards him.
- How is the lighting used to make Flora seem innocent?
Flora’s lightening is pretty bright and colorful.
- How does the actor walk and what types of actions does he perform as he follows Flora? How does this tell us he’s–for lack of a better term–a predator?
The way the actor walks is as if he is following Flora’s whereabouts. The way he is described climbing.
- What actions and interactions do we see Flora engaged in while she’s being followed by Gus that tells us Flora is childlike?
Flora takes a little walk to go get some water. They seem to show and describe her actions of those of a little fairy with wings just wandering.
- How is the music associated with Gus different than the music associated with Flora?
The music is the complete opposite when it comes to the 2 characters. It has a nice tune with Flora and a scary one with Gus.
- How does cross-cut editing between the Flora-Gus chase scene with Ben, Flora’s older brother, communicate to us the danger that Flora is in?
Flora doesn’t want to get married to Gus. Gus does want to get married to Flora. This part gets pretty intense.
- Thinking back and using the theories of discourse and multiliteracies, how would you say the work of writers like John Tyler Morgan and Frederick Hoffman shaped a viewing public that would accept this sequence with few to no reservations?
When it comes to discourse communities, what goes on with Flora and Gus is actually a perfect thing.